Here’s my pitch: you need this in your life.
People who play, this show is for you! We're all contending with a mutating professional landscape, jacked revenue streams and a lot of noise out there in the culture.
But you gotta keep playing.
It’s also for you if you are a listener. Be a fly on the wall.
It’s exciting times. It's almost as if the simple act of playing an instrument is a revolutionary one.
We don't draw any lines here between scenes or styles, so join the mailing list if you haven't done it already.
Be the tastemaker:
It’s here AND it’s in your podcast player!
But not everyone can find it - the tech is just too tech-y!
You may already know and enjoy the show, but you might also have friends who don't know about it yet. And that gives you your edge – you know how to find the good, lesser-known stuff.
So feel free to send one of my emails or episodes to someone you think might like it.
And Thank you!
When I started making my original work over a decade ago, I played tiny shows to get started. Every contact was personal, I would try to find the most intimate venues well-suited to my particular way of playing. I was ever-so-precious about it: I like the sound of headroom and I like to play quiet.
But after one booker said, “the more people drink during your set, the more you'll get paid, so make sure you fill the place," I started to question my choices.
"Of course!" I thought, "That's why I wrote these songs to begin with, to sell beer."
But did I get a cut of those beer sales?
I sold quite a bit of other people’s beer but got pretty worn out from it.
So my show is "sponsored" by a deep love of the art and craft of music. The podcast is too.
Smash that subscribe button..
I’ll never rent out or share your information.
To find out more about the company that provides the tech for this, visit Substack.com.