Why subscribe?

Here’s my pitch:

A weekly email newsletter containing one short written piece, one curated recommendation (music/podcast/article/other) and one item of mine. That’s all.

Join the crew

You may already know and enjoy my music, but you might also have friends who don't know about it yet. And that gives you your edge – you know how to find the good, lesser-known stuff. So feel free to send one of my emails to someone you think might like it.

When I started making my original work over a decade ago, I played tiny shows to get started. Every contact was personal, I would try to find the most intimate venues well-suited to my particular way of playing. I was ever-so-precious about it: I like the sound of headroom and I like to play quiet.

I started to question my choices after one booker said, “the more people drink during your set, the more you'll get paid, so make sure you fill the place."

"Of course!" I thought, "That's why I wrote these songs to begin with, to sell beer."

But did they offer me a cut of those beer sales?


I managed to sell quite a bit of beer. But eventually I wore myself out doing that.

So my newsletter is "sponsored" by a deep love of the art and craft of music. I find stuff I like and include it. (Over time, I hope that my subscribers - you - will also be the best source for the music I share here.)

If you’re interested in checking out what musicmaking really means to me and the musicians I run with, on every level, then you might enjoy this newsletter.

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I’ll never rent out or share your information.

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